BETWEEN RHYTHM AND SUGGESTION, A READING IN THE POETRY OF BADR SHAKER AL-SAYYAB
After that brief analysis of examples of al-Sayyab's poetry, the research concluded the importance of rhythm in its formation or establishment of the suggestive poetic semantic meaning in the poem or in the embodiment of the poetics of the text, drawing ideas and images and weaving them into musical poetic templates. It is a semantic area located between rhythm and suggestion, where the creator can move freely before reaching the completion of the semantic consistency, as deep moral connotations are achieved rippling between the rhythm and the use of the suggestive symbol. This is evident in al-Sayyab's poetry on multiple levels. Accordingly, the research was able, through those approaches between the structure of rhythm and the structure of suggestion, to reach creative foci that may not have received its due study until now, as they carry suggestive dimensions that convey the poet's experience over a successive time period, and refer to his creative sources. As a result, the research tried to focus on rhythm. In its internal and external dimensions, it is like a bridge between the creator and the recipient in communicating the intention of the writer on the one hand, and in achieving the poetry of the text on the other hand. On the other hand, the importance of the rhythmic structure was shown in showing its connection with poetic suggestion, and defining the kinetic ranges in time, space, space, image and organic unity in the poem. The poetic text, no matter how much the poet tries to renew or alienate it, as Al-Sayyab did in his abandonment of seas in many times or in the poetry of iambic, it remains rooted in its rhythmic structure as it presents the initial structure of symbols and masks leading to the suggestive structure in the poem. The internal rhythm, with its procedural tools or its formative components, contributes to a great extent in carrying the emotional charges that plot the suggestive meaning both close and distant at the same time: the close in its verbal, linguistic and synthetic image, and the far in its predictive interpretation and horizons based on symbolic imagination.
Keywords: Rhythm and Suggestion, the Poetry of Badr Shaker Al-Sayyab.